HWST 107: Hawaiʻi: Center of the Pacific

For the above article, see pp. 31-37. Article profiles a contemporary Hawaiian artist, seemingly challenging old notions of art.

Holo Mai Pele (Pele Travels) tells the epic saga of the rivalry between Pelehonuamea, goddess of the volcano, and her youngest and favorite sister Hiʻiaka. The one-hour performance weaves together archetypal themes of creation, love, and betrayal into a sweeping dramatic performance. For the first time, a rare legacy of chants and dances as passed down through generations is presented by the Kumu Hula and performers of Hālau o Kekuhi, in a stunning and exciting adaptation for PBS' Dance in America.

Native birds and their feathers are the subject of this program hosted by John Dominis Holt. Hawaiʻi’s endangered and extinct birds are featured both in wildlife footage and in the artwork of Ipo Nihipali. Dennis Kanaʻe Keawe makes a feather cape and Mary Lou Kekuewa demonstrates the construction of Kahili. Sarah Kawailima sews a lei hulu. And Mililani Allenʻs halau dances a hula which tells the story of the ʻoʻo bird, which is captured for its beautiful yellow feathers and then set free.

Tatau, known to us as tattoo, began in Polynesia over two thousand years ago. In the late 18th century, European seafarers brought Polynesian tatau to the west. Westerners were so enchanted with it, it became a new art form. In 1999, people from all over the world traveled to the island of Samoa to honor the birthplace of Polynesian tatau.

Native Maori Don Selwyn describes the 1000 year history of Maori arts, music and dance in New Zealand.

A documentary on the Fourth Festival of Pacific Arts held in Papeete, Tahiti, June/July 1985.